Named one of the Best Books of the Year by The Economist and Kirkus Reviews From one of China’s most celebrated—and silenced—literary authors, riveting portraits of eight Wuhan residents at the dawn of the pandemic When a strange new virus appeared in the largest city in central China late in 2019, the 11 million people living there were oblivious to what was about to hit them. But rumors of a new disease soon began to spread, mostly from doctors. In no time, lines of sick people were forming at the hospitals. At first the authorities downplayed medical concerns. Then they locked down the entire city and confined people to their homes. From Beijing, Murong Xuecun—one of China’s most popular writers, silenced by the regime in 2013 for his outspoken books and New York Times articles—followed the state media fearing the worst. Then, on April 6, 2020, he made his way quietly to Wuhan, determined to look behind the heroic images of sacrifice and victory propagated by the regime to expose the fear, confusion, and suffering of the real people living through the world’s first and harshest COVID-19 lockdown. In the tradition of Dan Baum’s bestselling Nine Lives , Deadly Quiet City focuses on the remarkable stories of eight people in Wuhan. They include a doctor at the frontline, a small businessman separated from his family, a volunteer who threw himself into assisting the sick and dying, and a party loyalist who found a reason for everything. Although the Chinese Communist Party has devoted enormous efforts to rewriting the history of the pandemic’s outbreak in Wuhan, through these poignant and beautifully written firsthand accounts Murong tells us what really happened in Wuhan, giving us a book unlike any other on the earliest days of the pandemic.

A riveting true story of a mother who fought back against the drug cartels in Mexico, pursuing her own brand of justice to avenge the kidnapping and murder of her daughter— from a global investigative correspondent for The New York Times “Azam Ahmed has written a page-turning mystery but also a stunning, color-saturated portrait of the collapse of formal justice in one Mexican town.”—Steve Coll, Pulitzer Prize–winning author of Directorate S A BEST BOOK OF THE YEAR: New Yorker, The Economist, Chicago Public Library Fear Is Just a Word begins on an international bridge between Mexico and the United States, as fifty-six-year-old Miriam Rodríguez stalks one of the men she believes was involved in the murder of her daughter Karen. He is her target number eleven, a member of the drug cartel that has terrorized and controlled what was once Miriam’s quiet hometown of San Fernando, Mexico, almost one hundred miles from the U.S. border. Having dyed her hair red as a disguise, Miriam watches, waits, and then orchestrates the arrest of this man, exacting her own version of justice. Woven into this deeply researched, moving account is the story of how cartels built their power in Mexico, escalated the use of violence, and kidnapped and murdered tens of thousands. Karen was just one of the many people who disappeared, and Miriam, a brilliant, strategic, and fearless woman, begged for help from the authorities and paid ransom money she could not afford in hopes of saving her daughter. When that failed, she decided that “fear is just a word,” and began a crusade to track down Karen’s killers and to help other victimized families in their search for justice. What do people do when their country and the peaceful town where they have grown up become unrecognizable, suddenly places of violence and fear? Azam Ahmed takes us into the grieving of a country and a family to tell the mesmerizing story of a brave and brilliant woman determined to find out what happened to her daughter, and to see that the criminals who murdered her were punished. Fear Is Just a Word is an unforgettable and moving portrait of a woman, a town, and a country, and of what can happen when violent forces leave people to seek justice on their own.

Listed in the best books of 2023 by The Economist "Invigorating debut . . . [a] full-throated rallying cry." — Publishers Weekly One of Ms. Magazine's "most-anticipated feminist books of 2023" An eye-opening firsthand account of the ongoing and trailblazing feminist movement in South Korea—one that the world should be watching. Since the beginning of the #MeToo movement, tens of thousands of people in South Korea have taken to the street, and many more brave individuals took a stand, to end a decades-long abortion ban and bring down powerful men accused of sexual misconduct—including a popular presidential contender. South Korean feminists know that the revolution has been a long time coming, between battles against its own patriarchal society as well as challenging stereotypes of docile Asian women in the Western imagination. Now, author Hawon Jung will show the rest of the world that these women are no delicate flowers—they are trailblazing flames. Flowers of Fire takes the reader into the trenches of this fight for equality, following along as South Korean activists march on the streets, navigate public and private spaces where spycam porn crimes are rampant, and share tips and tricks with each other as they learn how to protect themselves from harassment and how to push authorities to act. Jung, the former Seoul correspondent for the AFP, draws on her on-the-ground reporting and interviews with many women who became activists and leaders, from the elite prosecutor who ignited the country’s #MeToo movement to the young women who led the war against non-consensual photography. Their stories, though long overlooked in the West, mirror realities that women across the world are all too familiar with: threats of defamation lawsuits to silence victims of assault, tech-based sexual abuse, and criminal justice systems where victims’ voices are often met with suspicion and abusers’ downfalls are met with sympathy. These are the issues at the heart of their #MeToo movement, and South Korean women have fought against them vigorously—and with extraordinary success. In Flowers of Fire, Jung illuminates the strength and tenacity of these women, too often sidelined in global conversations about feminism and gender equality.

A Best in Political Books for 2023 Instant New York Times Bestseller One of Barack Obama's Favorite Books of the Year An Economist and Air Mail Best Book of the Year "Brave and absorbing." -- New York Times “Alberta is not just a thorough and responsible reporter but a vibrant writer, capable of rendering a farcical scene in vivid hues.” -- Washington Post “An astonishingly clear-eyed look at a murky movement.” -- Los Angeles Times Evangelical Christians are perhaps the most polarizing—and least understood—people living in America today. In his seminal new book, The Kingdom, the Power, and the Glory , journalist Tim Alberta, himself a practicing Christian and the son of an evangelical pastor, paints an expansive and profoundly troubling portrait of the American evangelical movement. Through the eyes of televangelists and small-town preachers, celebrity revivalists and everyday churchgoers, Alberta tells the story of a faith cheapened by ephemeral fear, a promise corrupted by partisan subterfuge, and a reputation stained by perpetual scandal. For millions of conservative Christians, America is their kingdom—a land set apart, a nation uniquely blessed, a people in special covenant with God. This love of country, however, has given way to right-wing nationalist fervor, a reckless blood-and-soil idolatry that trivializes the kingdom of Jesus Christ. Alberta retraces the arc of the modern evangelical movement, placing political and cultural inflection points in the context of church teachings and traditions, explaining how Donald Trump's presidency and the COVID-19 pandemic only accelerated historical trends that long pointed toward disaster. Reporting from half-empty sanctuaries and standing-room-only convention halls across the country, the author documents a growing fracture inside American Christianity and journeys with readers through this strange new environment in which loving your enemies is "woke" and owning the libs is the answer to WWJD. Accessing the highest echelons of the American evangelical movement, Alberta investigates the ways in which conservative Christians have pursued, exercised, and often abused power in the name of securing this earthly kingdom. He highlights the battles evangelicals are fighting—and the weapons of their warfare—to demonstrate the disconnect from scripture: Contra the dictates of the New Testament, today's believers are struggling mightily against flesh and blood, eyes fixed on the here and now, desperate for a power that is frivolous and fleeting. Lingering at the intersection of real cultural displacement and perceived religious persecution, Alberta portrays a rapidly secularizing America that has come to distrust the evangelical church, and weaves together present-day narratives of individual pastors and their churches as they confront the twin challenges of lost status and diminished standing. Sifting through the wreckage—pastors broken, congregations battered, believers losing their religion because of sex scandals and political schemes—Alberta asks: If the American evangelical movement has ceased to glorify God, what is its purpose?

TIME ’S #1 NONFICTION BOOK OF THE YEAR • A NEW YORK TIMES BOOK REVIEW TOP 10 BEST BOOK OF THE YEAR • A “riveting” ( The Atlantic ) account of the Philippines’ state-sanctioned killings of its citizens under President Rodrigo Duterte, hailed as “a journalistic masterpiece” ( The New Yorker ) “Tragic, elegant, vital . . . Evangelista risked her life to tell this story.”—Tara Westover, #1 New York Times bestselling author of Educated FINALIST FOR THE NEW YORK PUBLIC LIBRARY’S HELEN BERNSTEIN BOOK AWARD • LONGLISTED FOR THE WOMEN’S PRIZE • A BEST BOOK OF THE YEAR: The New York Times, The New Yorker, The Economist, Chicago Public Library, CrimeReads, The Mary Sue “My job is to go to places where people die. I pack my bags, talk to the survivors, write my stories, then go home to wait for the next catastrophe. I don’t wait very long.” Journalist Patricia Evangelista came of age in the aftermath of a street revolution that forged a new future for the Philippines. Three decades later, in the face of mounting inequality, the nation discovered the fragility of its democratic institutions under the regime of strongman Rodrigo Duterte. Some People Need Killing is Evangelista’s meticulously reported and deeply human chronicle of the Philippines’ drug war. For six years, Evangelista documented the killings carried out by police and vigilantes in the name of Duterte’s war on drugs—a crusade that has led to the slaughter of thousands—immersing herself in the world of killers and survivors and capturing the atmosphere of terror created when an elected president decides that some lives are worth less than others. The book takes its title from a vigilante, whose words demonstrated the psychological accommodation many across the country had made: “I’m really not a bad guy,” he said. “I’m not all bad. Some people need killing.” A profound act of witness and a tour de force of literary journalism, Some People Need Killing is a brilliant dissection of the grammar of violence and an investigation into the human impulses to dominate and resist.

Using history to challenge Communist Party rule. Sparks: China's Underground Historians and their Battle for the Future describes how some of China's best-known writers, filmmakers, and artists have overcome crackdowns and censorship to forge a nationwide movement that challenges the Communist Party on its most hallowed ground: its control of history. The past is a battleground in many countries, but in China it is crucial to political power. In traditional China, dynasties rewrote history to justify their rule by proving that their predecessors were unworthy of holding power. Marxism gave this a modern gloss, describing history as an unstoppable force heading toward Communism's triumph. The Chinese Communist Party builds on these ideas to whitewash its misdeeds and glorify its rule. Indeed, one of Xi Jinping's signature policies is the control of history, which he equates with the party's survival. But in recent years, a network of independent writers, artists, and filmmakers have begun challenging this state-led disremembering. Using digital technologies to bypass China's legendary surveillance state, their samizdat journals, guerilla media posts, and underground films document a regular pattern of disasters: from famines and purges of years past to ethnic clashes and virus outbreaks of the present--powerful and inspiring accounts that have underpinned recent protests in China against Xi Jinping's strongman rule. Based on years of first-hand research in Xi Jinping's China, Sparks challenges stereotypes of a China where the state has quashed all free thought, revealing instead a country engaged in one of humanity's great struggles of memory against forgetting―a battle that will shape the China that emerges in the mid-21st century.